{"id":946,"date":"2025-09-16T18:41:14","date_gmt":"2025-09-16T18:41:14","guid":{"rendered":"https:\/\/bosnistika.ba\/?p=946"},"modified":"2025-09-16T18:41:15","modified_gmt":"2025-09-16T18:41:15","slug":"iz-zbirke-pjesama-fantaskop-povelja-kraljevo-2025","status":"publish","type":"post","link":"https:\/\/bosnistika.ba\/index.php\/2025\/09\/16\/iz-zbirke-pjesama-fantaskop-povelja-kraljevo-2025\/","title":{"rendered":"Iz zbirke pjesama \u201cFantaskop\u201d (Povelja, Kraljevo, 2025)"},"content":{"rendered":"\n<p><strong>Pi\u0161e: Nadija REBRONJA<\/strong><\/p>\n\n\n\n<p><strong>Na sjedi\u0161tu 4F. putnica gleda film <em>Tristana<\/em><\/strong><\/p>\n\n\n\n<p>u na\u0161em vremenu<br>samo smo sakuplja\u010di<br>tankih ruku<br>novih haljina<br>prigu\u0161ene muzike<br>pokvarenih instrumenata<br>ruke su sputane<br>i ni\u0161ta nismo skupili<br>ni ra\u010dune ni telefonski poziv<br>ni prolje\u0107e na selu<br>samo kanape oko vrata i oko ruku<br>\u010dvrsto svezane<\/p>\n\n\n\n<p><strong>Na sjedi\u0161tu 5F. putnik gleda <em>Dekalog<\/em><\/strong><\/p>\n\n\n\n<p>tra\u017eili smo<br>nebeska tijela<br>doline<br>mikroskopske mape<br>jasno\u0107u razbijenog stakla<br>udobnu sjenku<br>niko ne pori\u010de<br>da zemlja je mala<br>da je nema<br>da miri\u0161e na kupine<br>niko ne pori\u010de<br>da je ispisana zidovima<br>da se zidovi ru\u0161e<br>da ostaje ti\u0161ina<\/p>\n\n\n\n<p><strong>Na sjedi\u0161tu 8D. putnik gleda film <em>Gladijator<\/em><\/strong><\/p>\n\n\n\n<p>vladar je \/ slovo po slovo \/ zvuk po zvuk<br>palio rukopise \/ koji jo\u0161 nisu napisani<br>najbri\u017eljivije je palio \/ margine rukopisa, mrlje od mastila, precrtane rije\u010di<br>jer tamo uvijek pi\u0161e \/ sve \u0161to moramo znati o vladarima<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"778\" height=\"1024\" src=\"https:\/\/bosnistika.ba\/wp-content\/uploads\/2025\/09\/Nadija-fantaskop-izbor-778x1024.jpg\" alt=\"\" class=\"wp-image-947\" srcset=\"https:\/\/bosnistika.ba\/wp-content\/uploads\/2025\/09\/Nadija-fantaskop-izbor-778x1024.jpg 778w, https:\/\/bosnistika.ba\/wp-content\/uploads\/2025\/09\/Nadija-fantaskop-izbor-228x300.jpg 228w, https:\/\/bosnistika.ba\/wp-content\/uploads\/2025\/09\/Nadija-fantaskop-izbor-768x1011.jpg 768w, https:\/\/bosnistika.ba\/wp-content\/uploads\/2025\/09\/Nadija-fantaskop-izbor-750x987.jpg 750w, https:\/\/bosnistika.ba\/wp-content\/uploads\/2025\/09\/Nadija-fantaskop-izbor.jpg 1045w\" sizes=\"(max-width: 778px) 100vw, 778px\" \/><\/figure>\n\n\n\n<p><strong>Na sjedi\u0161tu 11D. putnik gleda film <em>\u010cita\u010d<\/em><\/strong><\/p>\n\n\n\n<p>od zastava<br>radije pravimo haljine za ples<br>i ple\u0161emo uz zvuk vlastitih koraka<br>onda kad prelaze<br>granice istorije<br>uz himne se lo\u0161e ple\u0161e<br>one obi\u010dno utihnu<br>kad krv proklju\u010da<br>ili kad koraci<br>zaigraju<br>izme\u0111u moje istine<br>i tvoje istine<br>i ratova izme\u0111u njih<\/p>\n\n\n\n<p><strong>Na sjedi\u0161tu 11F. putnik gleda film <em>Svila<\/em><\/strong><\/p>\n\n\n\n<p>napustili smo<br>male zemljane ku\u0107e<br>na obroncima<br>na travama<br>ku\u0107e od mora<br>prizore od gline<br>koji ne pripadaju vladarima<br>u ime svega napu\u0161tenog<br>mudracima smo dali<br>\u0161aku pirin\u010da za blagoslov<br>sada sebe posmatramo<br>u staklenim kupolama<br>ogledamo se u zaokru\u017eenom nebu<br>nebu koje se rijetko<br>otvara iznad nas<br>sve \u0161to ogledamo<br>to smo oni isti mi<br>iz gline<br>iz trava<br>samo malo vi\u0161e<br>pognuti<br>pred svodom<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Nadija Rebronja je doktorica knji\u017eevnohistorijskih nauka, pjesnikinja i esejistkinja. Autorica je knji\u017eevnih djela <em>Ples morima<\/em>, <em>Flamenko utopija<\/em>, <em>88<\/em> i <em>Fantaskop<\/em> te nau\u010dnih studija <em>Dervi\u0161 ili \u010dovek, \u017eivot i smrt: Religi\u0458ski podtekst romana \u201cDervi\u0161 i smrt\u201d Me\u0161e Selimovi\u0107<\/em>a, <em>Ta\u010dke ispod teksta, isto\u010dno od Zapada: Prilozi ju\u017enoslovenskoj komparatistici i interkulturalnom \u010ditanju<\/em> i <em>Mikrokosmos kultura: Kulturni sinkretizam Balkana u romanima \u0106amila Sijari\u0107a<\/em>.<\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pi\u0161e: Nadija REBRONJA Na sjedi\u0161tu 4F. putnica gleda film Tristana u na\u0161em vremenusamo smo sakuplja\u010ditankih rukunovih haljinaprigu\u0161ene muzikepokvarenih instrumenataruke su sputanei ni\u0161ta nismo skupilini ra\u010dune ni telefonski pozivni prolje\u0107e na selusamo kanape oko vrata i oko ruku\u010dvrsto svezane Na sjedi\u0161tu 5F. putnik gleda Dekalog tra\u017eili smonebeska tijeladolinemikroskopske mapejasno\u0107u razbijenog staklaudobnu sjenkuniko ne pori\u010deda zemlja je [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":948,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":[],"footnotes":""},"categories":[2,5],"tags":[],"class_list":["post-946","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-knjizevnost","category-poezija"],"_links":{"self":[{"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/posts\/946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/comments?post=946"}],"version-history":[{"count":1,"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/posts\/946\/revisions"}],"predecessor-version":[{"id":949,"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/posts\/946\/revisions\/949"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/media\/948"}],"wp:attachment":[{"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/media?parent=946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/categories?post=946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bosnistika.ba\/index.php\/wp-json\/wp\/v2\/tags?post=946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}